Arthur Neuendorffer
2021-03-28 00:53:09 UTC
---------------------------------------------------------
<<{O}r spunne out Riddles, or weav'd fifty Tomes
__{O}f Logogriphes*, or curious Palindromes;
__{O}r pump'd for those hard trifles, Anagrams,
__{O}r Ecrosticks, or your finer flames
__{O}f *EGGES* , and Halbards, Cradles, and a Herse,
__[A] paire of Sizers, and *a COMBE in verse* ;
__[A]crosticks, and *TELLESTICKS*, or jumpe names,>> -- B. Jonson
---------------------------------------------------------------
2 *TELLESTICKS* found by Jones Harris & John Rollett:
.........................................................
. The Names of the *26* Principall Actors
. in all these Playes.
.
.[William Shakespeare]
. Richard B(ū)rba(D)ge.
. John Hemmings.
. Augusti(ñ)e Phillip [S].
. William Kemp . . . .[T].
. Thom(ā)s Poop . . . (e).
. George Brya . . . . (N).
. Henry C(O)n[D]el . .[L].
. W(I)l(L)iam S(L) .(Y|E).
.{R}ichard Cowl . . . [Y].
. John Low(I)ne.
. Samuell Crosse.
. A(L|E]xander Co(O)k{E}.
----------------------------------------------------------
*STONE*, n. [OE. ston, *STAN*; akin to Old Saxon *STEN*,
... G. stein, Sw. *STEN*, Gr. a pebble.]
..........................................................
Prob. of 'St(e)nley' or 'St(a)nley' ~ 1 in 2,500,000
.................................................................
Prob. (at least) 6 of the 7[ST(e)NLEY] guys were Lord *STRANGE's*
Men while only (at most) 3 of the other 19 PA's were ~ 1 in 450
----------------------------------------------------------
. Samuel Gilburn{E}.
.[R]obert Armi(N).
. Will(I)am Ostl(E)r.
.(N)athan Field.
.........................
. John Underwoo . . . [D].
.{N}icholas T(O)ole . {Y}.
. William Eccl[E]ston {E}.
. Joseph Taylo . . . .{R}.
. Robert Be[N]fiel . .{D}.
. Robe(R)t Gough . . .{E}.
. Richar{D} Robinso . {N}.
. John Shancke.
. John Rice.
.........................................................
. . . . . . . <= *26* =>
.
. [W i l l i a m S h a k e s p e a r e] R i c .h. a r d B
. (U) r b a(D)g e.J o h n H e m m i n g s.A u .g. u s t i
. (N) e P h i l l i p[S]W i l l i a m K e m p [T] T h o m
. (A) s P o o p(e)G e o r g e B r y a(N)H e n .r. y C o n
. [D] e l l.W i l(L)i a m S l(Y|E|R}i c h a r .d. C o w l
. [Y] J o h n L o w(I)n e.S a m u e l l C r o .s. s e.A l
. [E] x a n d e r C o(O)k{E}S a m u e l G i l .b. u r n E
. [R] o b e r t A r m i(N)W i l l i a m O s t .l. E r N a
. .t. h a n F i e l d.J o h n U n d e r w o o [D] N i c h
. .o. l a s T o o l e{Y}W i l l i a m E c c l [E] s t o n
. .e. J o s e p h T a y l o r.R o b e r t B e [N] f i e l
. .d.
(UNA) 26 : personification of "Truth"
........................
[DYER] 26
[NED] -26
---------------------------------------------------------------
*125* is the gematric number, being the sum of the English
characters for PHILIP SIDNEI = [(15+8+9+11+9+15)+(18+9+4+13+5+9)]
The "intentionally concealed message" in Sonnet 125 is
that Fulke Greville: Recorder of Stratford (1606-1628)
And [NED] [DYER] (b. October 1543 – d. May 1607)
*both* "bore the canopy" {For}[SIDNEI]:
http://tinyurl.com/ptpxsdu
.......................................................
. . . . . ASonnet 125
. WEr't ought to me I "bore the canopy",
. With my extern the outward honoring,
. Or layd great bases {For} eternity,
. Which proues more [S]hort then wast or ruining?
. Haue [I] not seene dwellers on forme an[D] fauor
. Lose all,and more by payi[N]g too much rent
. For compound sw[E]et;Forgoing simple sauor,
. Pitt[I]full thriuors in their gazing spent.
. Noe,let me be obsequious in thy heart,
. And take thou my oblacion,poore but free,
. Which is not mixt with seconds,knows no art,
. But mutuall render onely me for thee.
. Hence,thou subbornd Informer, a trew soule
. When most impeacht,stands least in thy controule.
.......................................................
. . . . . <= *26* =>
.
. {F o r} e t e r n i t y,W h i c h p r o u e s m o r e
. [S] h o r t t h e n w a s t o r r u i n i n g?H a u e
. [I] n o t s e e n e d w e l l e r s o n f o r m e a n
. [D] f a u o r L o s e a l l,a n d m o r e b y p a y i
. [N] g t o o m u c h r e n t F o r c o m p o u n d s w
. [E] e t;F o r g o i n g s i m p l e s a u o r,P i t t
. [I] f u l l t h r i u o r s i n t h e i r g a z i n g
{For}[SIDNEI] *26*
--------------------------------------------------------
. The Original 1590 quarto edition!
...............................................
http://tinyurl.com/pma5gmz
http://tinyurl.com/nsvfzdm
.
The Covntesse of Pembrokes Arcadia,
. written by Sir Philippe [SIDNEI].
.................................................
Shortest {For}[SIDNEI] skip in KJV : 869
Shortest {For}[SIDNEI] skip in Moby Dick : 2818
---------------------------------------------------
. . . . . Sonnet 47
.
. BEtwixt mine eye and heart a league is tooke,
. And each doth good turnes now vnto the other,
. When that mine eye is famisht {For} a looke,
. Or heart in loue with [S]ighes himselfe doth smother;
. W[I]th my loues picture then my eye [D]oth feast,
. And to the painted ba[N]quet bids my heart:
. An other tim[E] mine eye is my hearts guest,
. And [I]n his thoughts of loue doth share a part.
. So either by thy picture or my loue,
. Thy seife away,are present still with me,
. For thou nor farther then my thoughts canst moue,
. And I am still with them,and they with thee.
. Or if they sleepe, thy picture in my sight
. Awakes my heart,to hearts and eyes delight.
.......................................................
. . . . . <= *26* =>
.
. {F o r} a l o o k e,O r h e a r t i n l o u e w i t h
. [S] i g h e s h i m s e l f e d o t h s m o t h e r;W
. [I] t h m y l o u e s p i c t u r e t h e n m y e y e
. [D] o t h f e a s t,A n d t o t h e p a i n t e d b a
. [N] q u e t b i d s m y h e a r t:A n o t h e r t i m
. [E] m i n e e y e i s m y h e a r t s g u e s t,A n d
. [I] n h i s t h o u g h t s
.
{For}[SIDNEI] *26*
.
Prob. of 2{For}[SIDNEI]s same skip ~ 1 in 34,000,000
Prob. of 2nd {For}[SIDNEI]s skip *26* ~ 1 in 150,000
----------------------------------------------------------
. . . . . . . . *26* days
.......................................................
http://en.wikipedia.org/wiki/Philip_Sidney#Injury_and_death
<<[Sir Philip Sidney (30 November 1554 - 17 October 1586)]
joined Sir John Norris in the Battle of Zutphen, fighting for
the Protestant cause against the Spanish. During the battle,
he was shot in the thigh & died of gangrene *26* days later.
According to the story, while lying wounded he gave his water
to another wounded soldier, saying, "Thy necessity is yet
greater than mine". As he lay dying, Sidney composed a song to
be sung by his deathbed. Sidney's body was interred in the Old
St. Paul's Cathedral on 16 February 1587. [Sidney] had become
for many English people the very epitome of a Castiglione
courtier: learned and politic, but at the same time generous,
brave, and impulsive. The funeral procession was one of the
most elaborate ever staged, so much so that his father-in-law,
Francis Walsingham, almost went bankrupt. Never more than a
marginal figure in the politics of his time, he was memorialised
as the flower of English manhood in Edmund Spenser's Astrophel,
one of the greatest English Renaissance elegies. An early
biography of Sidney was written by his friend & schoolfellow,
Fulke Greville: Recorder of Stratford (1606-1628).>>
------------------------------------------------------------
http://spenserians.cath.vt.edu/TextRecord.php?textsid=33437
. The Lord VERULAN, Chancellor of Parnassus.
. Sir [PHILIP SIDNEY], High Constable of Par.
. WILL|IAM) BUDEUS, High Treasurer.
. JOHN [P]ICUS, Earle of Mirandula, [H]igh Chamberlaine.
. JULIUS CESAR SCAL[I]GER
. ERASMUS ROTERODAM.
. JUSTUS [LIPSI]US
.......................................................
. . . . . . . . . . <= *26* =>
.
. T h e L o r d V E R U L A N,C h a n c e l l o r o f
. P a r n a s s u s.S i r[P H I L I P S I|D N E Y]H i
. g h C o n s t a b l e o f P a r.W I L L|I A M)B U D
. E U S,H i g h T r e a s u r e r.J O H N[P]I C U S,E
. a r l e o f M i r a n d u l a,H i g h C[H]a m b e r
. l a i n e.J U L I U S C E S A R S C A L[I]G E R E R
. A S M U S R O T E R O D A M.J U S T U S[L I P S I]U S
.
[I AM|PHIL/IP SI|DNEY] 26 : Prob. skip *26* at top ~ 1 in 6800
---------------------------------------------------------------
, Sage Verulam sublim'd for science great,
, As Chancellour, next him had the first seat:
, And next to him, Budeus did appear,
, Hee of Parnassus was High Treasure{R}:
,[SIDNEY] tooke place upon the other sid{E},
, Who th' office of High Constable suppl{Y'D}:
----------------------------------------------------
.(The Court thus set) the sturdy Keeper then
. Of the unhospitall Trophonian (DEN),
. His trembling Pris'ners brought unto the bar[R]e;
. For sterne aspect, with Mars h[E]e might compare,
. But by his bell[Y], and his [D]oubl(E) chin(N)e,
. He(E) look'[D] like th[E] old Hoste of a New Inne.
. Thus whe[N] sowre Be(N) his f(E)tter'(D) cattell had
. Shut up together in the pinfold sad:
.........................................................
. . . . . . . <= 26 =>
.
. T r o p h .o .n i a n(D E N)H i s t r e m b l i n .g .P
. r i s'n e .r .s b r o u g h t u n t o t h e b a r [R] e;
. F o r s t .e .r n e a s p e c t,w i t h M a r s h [E] e
. m i g h t .c .o m p a r e,B u t b y h i s b e l l [Y],a
. n d h i s [D] o u b l(E)c h i(N|N)e,H e(E)l o o k'[D] l
. i k e t h [E] o l d H o s t e o f a N e w I n n e. T .h
. u s w h e [N] s o w r e B e(N)h i s f(E)t t e r(D) c .a
. t t e l l .h .a d S h u t u p t o g e t h e r i n .t .h
. e p i n f .o .l d s a d:
[DYER] -26
[NED] -26 : Prob. of both skip 26 ~ 1 in 100
.........................................................
. John Taylour, then the Courts shrill Chanticleere,
. Did summon all the Jurours to appeare:
. Hee had the Cryers place: an office fit,
. For him that hath a better voyce, then wit.
. Hee, who was called first in all the List,
. George Withers hight, entitled Satyrist;
. Then Cary, May, and Davenant were call'd forth;
. Renowned {POETS} all, and men of worth,
. If wit may passe for worth. Then Sylvester,
. Sands, Drayton, Beau(M)ont, Fletcher, M(A)ssinger,
.*SHAKE(S)PEARE*, and Heyw(O)od, {POETS} good a(N)d free;
. Dramatick writers all, but the first three:
.....................................................
. . . . <= 13 =>
.
. . B e a u (M) o n t,F l e t
. c h e r,M (A) s s i n g e r
.*S H A K E (S) P E A R E*a n
. d H e y w (O) o d{P O E T S}
. g o o d a (N) d f r e e;D r
. a m a t i. c .k w r i t e r
. s a l l,b. u .t t h e f i r
. s t t h r. e .e:
.
(MASON) 13
---------------------------------------------------
. . Marlowe's 1598 _Hero and Leander_ poem:
. Leander Striv'd, the waves about him woun{D},
. And puld him to the bottome, whe{R}e the ground
. Was strewd with pe{A}rle, and in low corrall groves,
. S{W}eet singing Meremaids, sporte{D} with their loves
. On heapes of h{E}avie gold, and tooke g[R]eat pleasure,
. To spurne in carelesse sort, the shipwracke tr[E]asure.
. For here the stately azure pallace stood,
. Where kingl[Y] Neptune and his traine abode.
. The lustie god imbrast him, cal[D] him love,
. And swore he never should returne to Jove.
. But when h[E] knew it was not Ganimed,
. For under water he was almost dead,
. He heav'd him up, and looking on his face,
. Beat downe the bold waves with his triple mace,
. Which mounted up, intending to have kist him,
. And fell in drops like teares, because they mist him.
. Leander being up, began to swim,
. And looking backe, saw Neptune follow him.
......................................................
______ . . . <= 26 =>
.
. L e a n d e r .S .t r i v'd,t h e w a v e s a b o u t
. h i m w o u n {D} A n d p u l d h i m t o t h e b o t
. t o m e,w h e {R} e t h e g r o u n d W a s s t r e w
. d w i t h p e {A} r l e,a n d i n l o w c o r r a l l
. g r o v e s,S {W} e e t s i n g i n g M e r e m a i d
. s,s p o r t e {D} w i t h t h e i r l o v e s O n h e
. a p e s o f h {E} a v i e g o l d,a n d t o o k e g[R]
. e a t p l e a .s .u r e,T o s p u r n e i n c a r e l
. e s s e s o r .t,.t h e s h i p w r a c k e t r[E]a s
. u r e.F o r h .e .r e t h e s t a t e l y a z u r e p
. a l l a c e s .t .o o d,W h e r e k i n g l[Y]N e p t
. u n e a n d h .i .s t r a i n e a b o d e.T h e l u s
. t i e g o d i .m .b r a s t h i m,c a l[D]h i m l o v
. e,A n d s w o .r .e h e n e v e r s h o u l d r e t u
. r n e t o J o .v .e.B u t w h e n h[E]k n e w i t w a
. s n o t G a n .i .m e d,
{EDWARD} -26
[E.DYER] -50
---------------------------------------------------
. . George Chapman 1598 _Hero and Leander_ poem:
.
. She bowd her selfe so low out of her Towre,
. That wonder twas she fell not ere her howre,
. With searching the lamenting waves for him;
. Like a poore Snayle, her gentle supple lim
. Hung on her Turrets top so most {D}owne {R}ight,
.{A}s she {W}ould {D}ive b{E}neath the darknes quite,
. To finde her Jewell; Jewell, her Leander,
. A name of all ea[R]ths Jewels pleasde not her,
. Lik[E] his deare name: Leander, still m[Y] choice,
. Come nought but my Lean[D]er; O my voice
. Turne to Leander: h[E]nce-forth be all sounds,
. Accents, and phrases that shew all griefes wounds,
. Analisde in Leander. O black change!
.........................................................
______ . . . . . <= 26 =>
.
.{D}o w n e{R}i g h t{A}s .s .h e{W}o u l d{D}i v e b{E}
. n e a t h t h e d a r k .n .e s q u i t e,T o f i n d
. e h e r J e w e l l;J e .w .e l l,h e r L e a n d e r,
. A n a m e o f a l l e a [R] t h s J e w e l s p l e a
. s d e n o t h e r,L i k [E] h i s d e a r e n a m e:L
. e a n d e r,s t i l l m [Y] c h o i c e,C o m e n o u
. g h t b u t m y L e a n [D] e r;O m y v o i c e T u r
. n e t o L e a n d e r:h [E] n c e-f o r t h b e a l l
[E.DYER] -26
{EDWARD} -5
-----------------------------------------------------
https://en.wikipedia.org/wiki/Hero_and_Leander_(poem)
<<In Bartholomew Fair, Ben Jonson lampoons the poem in
the fair's puppet show; his Hellespont is the River Thames,
and his *Leander is a [DYER]'s son* in Puddle-wharf.>>
------------------------------------------------------
http://hollowaypages.com/jonson1692bartholmew.htm
BARTHOLMEW FAIR. A COMEDY.
Acted in the Year 1614. By the LADY ELIZABETH'S Servants.
And then dedicated to KINGJ AMES, of most blessed Memory.
. . By the Author Benjamin Johnson.
. . . . . Act IV. Scene VI.
Trouble-all, Knockhum, Whit, Quarlous, Edgworth, Bristle,
. Waspe, Haggise, Justice, Busy, Pure-*CRAFT*.
Knockhum: Ha! mad Child o' the *PYE*-pouldres, art thou
there? fill us a fresh Kan, Urs, we may drink together.
........................................................
Quarlous: Keep it for your Companions in beastliness, I
am none of 'em, Sir. If I had not already forgiven you
a greater trespass, or thought you yet worth my beating,
I would instruct you{R MANNERS}, to whom you made your
offers. But go your ways, talk not to me, the Hangman
is only fit to discourse with you; the hand of Beadle is
too merciful a punishment for your Trade of life. I am
sorry I employ'd this *FELLOW*; for he thinks me such:
Fascinus quos inquinat, æquat. But, it was for sport. And
would I make it serious, the getting of this License is
nothing to me, without other circumstances concur.
I do think how impertinently I labour, if the word be
not mine, that the ragged Fellow mark'd: And what
advantage I have given [NED Win-wife] in this time now,
of working her, though it be mine.
........................................................
. . . . . Act V. Scene III.
Lan. A better way, Sir, that is too Learned and Poe-
. tical for our Audience, what, do they know what Helle-
. spont is? Guilty of true Loves Blood? or what Abidos is?
. or the other Sestos height?
Cok. Th' art i' the right, I do not know my self.
Lan. No, I have entreated Master Little-wit to take
. a little pains to reduce it to a more familiar
. strain for our people.
Cok. How, I pray thee, good Master Little-wit.
Joh. It pleases him to make a matter of it, Sir.
. But there is no such matter, I assure you: I have only
. made it a little easie, and Modern for the Times, Sir,
. that's all: As for the Hellespont, I imagine our Thames
. here; and then *LEANDER* I make a [DYER]'s Son about
. Puddle-Wharf; and Hero a Wench o' the Bank-side, who
. going over one Morning to Old-Fishstreet, *LEANDER*
. spies her land at Trigs-Stairs, and falls in Love with
. her: Now do I introduce Cupid, having Metamor-
. phos'd himself into a Drawer, and he strikes Hero in
. love with a Pint of Sherry, and other pretty passages
. there are o' the friendship, that will delight you, Sir,
. and please you of Judgment.
Cok. I'll be sworn they shall: I am in Love with
. the Actors already, and I'll be allied to them pre-
. sently. (They respect Gentlemen, these Fellows:)
. Hero shall be my Fairing: But which of my Fairings?
. (Le' me see) i' faith, my Fiddle! and *LEANDER* my
. Fiddle-stick: Then Damon my Drum; and Pythias
. my Pipe, and the Ghost of Dionysius my Hobby-Horse.
. All fitted.
Gra. Faith the same they have of themselves, Sir.
. I cannot greatly complain, if this were all the Plea
. I had against 'em.
Win-w. 'Tis true! but will you please to withdraw with
. us a little, and make them think they have lost you.
. I hope ou{R MANNERS} ha' been such hitherto, and our
. Lan-guage, as will give you no Cause, to doubt your
. self in our Company.
Gra. Sir, I will give my self no cause; I am
. so secure of mine own {MANNERS}, as I suspect not yours.
.....................................................
. . . . . Act V. Scene IV.
Lan. Gentiles, that no longer yonr Expectations may wander,
. Behold our chief Actor, amorous *LEANDER*.
. With a great deal of Cloth, lapp'd about him like a Scarf,
. For he yet serves his Father, a [DYER] at Puddle-Wharf,
. Which place we'll make bold with, to call it our Abidus,
. As the Bank-side is our Sestos; and let it not be deny'd us.
. Now as he is beating, to make the Dye take the fuller,
. Who chances to come by, but Fair Hero, in a Sculler;
. And seeing *LEANDER*'s naked Leg, and goodly Calf,
. Cast at him from the Boat a Sheeps Eye and an half.
. Now she is landed, and the Sculler come back,
. By and by you shall see what *LEANDER* doth lack.
Pup. L. Cole, Cole, Old Cole.
Lan. That is the Sculler's Name, without controle.
Pup. L. Cole, Cole, I say, Cole.
Lan. We do hear you.
Pup. L. Old Cole.
Lan. Old Cole? Is th[E DYER] turn'd Collier? how do you sell?
Pup.L. A Pox o'you{R MANNERS}, kiss my hole here, and smell.
Lan. Kiss your hole and smell? there's {MANNERS} indeed.
...............................................................
. . . . . Act V. Scene VI. {final lines of BF}
.
. Jus. I invite you home with me to my House to
. su{P}-per: I will {H}ave none f{E}ar to go al{O}ng, for
. my i{N}tents are Ad correctionem, non ad destructionem;
. ad ædificandum, non ad diruendum: So lead on.
.
. Cok. Yes, and bring the Actors along,
. we'll ha' the rest o' the Play at home.
-------------------------------------------------
. . . . . . Sonnet 111
. O For my sake doe you with fortune chide,
. The guiltie goddesse of my harmfull deeds,
. That did not better for my life prouide,
. Then publick meanes which publick {MANNERS} breeds.
. Thence *COMES* it that *MY NAME* receiues a brand* ,
. And almost thence my nature is subdu'd
. To what it workes in, like th[E DYER]s hand,
. Pitty me then, and wish I were renu'de,
------------------------------------------------------
. . (Inspiration for _The Winter's Tale_)
Pandosto. The Triumph of Time. (1595)
By Robert {GREENE}, Maister of Artes in Cambridge.
. . . Temporis filia veritas.
......................................................
Meleagrus, I feare this smooth tale hath but small
TRUETH, and that thou coVEREst a foule skin with faire
paintings. No doubt this Ladie by her grace and beautie
is of hier degree more meete for a mightie Prince, than
for a simple knight, and thou like a periured traitor
hath bereft her of her parents, to their present griefe,
and her *INSUING* sorrow. Till therefore I heare more
of her parentage and of thy calling, I wil stay you
both here in Bohemia.
.....................................................
Fawnia hearing this solemne protestation of Dorastus,
could no longer withstand the assault, but yeelded
vp the fort in these fri{E}n{D}l{Y} t{E}a{R}mes.
..................
{E.DYER} 2
..................
Ah Dorastus, I shame to expresse that thou forcest me
with thy sugred speech to confesse: my base birth causeth
the one, and thy high dignities the other. Beggars
thoughts ought not to reach so far as kings, and yet my
desires reach as high as princes. I dare not say Dorastus
I loue thee, because I am a shepherd, but the gods know
I haue honoured Dorastus (pardon if I say amisse) yea and
loued Dorastus with such dutiful aff[E]ction as Fawnia can
performe, o[R] Dorastus d(E)sire: I yeeld, not ov[E]rcome
with (P)rayers, but with lo[V]e, resting D(O)rastus
handmaid r[E]ady to obey (H)is will, if no
preiu[D]ice at all to his honour, nor to my credit.
...........................................................
. . . . . . . <= 26 =>
.
. .D .o r a s t u s w i .t .h s u c h d u t i f u l a f f
. [E] c t i o n a s F a .w .n i a c a n p e r f o r m e,o
. [R] D o r a s t u s d (E) s i r e:I y e e l d,n o t o v
. [E] r c o m e w i t h (P) r a y e r s,b u t w i t h l o
. [V] e,r e s t i n g D (O) r a s t u s h a n d m a i d r
. [E] a d y t o o b e y (H) i s w i l l,i f n o p r e i u
. [D] i c e a t a l l t .o .h i s h o n o u r,
(HOPE).. -26
[DEVERE] -26
Prob. [DEVERE] in paragraph following {EDYER} skip 2 ~ 1 in 2,400
---------------------------------------------------------------------
. . . . Henry IV, Part 2 (Quarto 1, 1600) II,iv
.
Pistol: These be good humors indeede, shal pack-horses, and
. *hol(LOW pAMpER)d iades of Asia which cannot goe but thirtie
. mile a day* , compare with Cæsars and with Canibals, and tro-
. iant Greekes? nay rather damne them with King Cerberus, and
. let the Welkin roare, shall we fall foule for toies?
..........................................................
(LOW pAMpER)
(MARLOWE pp)
----------------------------------------------------------------------
https://en.wikipedia.org/wiki/Tamburlaine
<<Tamburlaine the Great is a play in two parts by Christopher MARLOWE.
It is loosely based on the life of the Central Asian emperor,
Timur (Tamerlane/Timur the Lame, d. 1405).
. In Part 2, Tamburlaine forces the defeated kings to
. pull his chariot to his next battlefield, declaring,
. . . *Holla ye pampered jades of Asia!
. . What, can ye draw but twenty miles a day?*
Upon reaching Babylon, which holds out against him, Tamburlaine displays further acts of extravagant savagery. When the Governor of the city attempts to save his life in return for revealing the city treasury, Tamburlaine has him hung from the city walls and shot. He orders the inhabitants — men, women, and children — bound and thrown into a nearby lake. Lastly, Tamburlaine scornfully burns a copy of the Qur'an and claims to be greater than God. In the final act, he is struck ill but manages to defeat one more foe before he dies. He bids his sons to conquer the remainder of the earth as he departs life.>>
----------------------------------------------------------------------
http://www.montaguemillennium.com/familyresearch/crusaders.htm
<< "... the Knights (of Rhodes/St. John), having lost their
stronghold ... to Timur the Lame ("Tamburlaine",) in 1402,
were establishing a new base at Bodrum, the site of the ancient
Halicarnassus and its famous Mausoleum, stone from which was used
in the construction of the Christian fortress dedicated to St. Peter.
The castle of St. Peter provides a striking witness to English
participation. Over the gateway to one of its towers, known
as the English Tower, *26* coats of arms were set up in stone,
including *NEVILLE*, Percy, Holland, *BEAUCHAMP*, *BURLEIGH*,
*STRANGE*, Arundel, MONTAGUE, *DE VERE* (, and King Henry IV)>>
---------------------------------------------------------
<<[RICHARD d]e BEA[UCHAMP]:
appointed Freemason Grand {MASTER} by Edward IV.>>
- Illustrations of Masonry by William Preston 1795
------------------------------------------------------------------
Art Neuendorffer
<<{O}r spunne out Riddles, or weav'd fifty Tomes
__{O}f Logogriphes*, or curious Palindromes;
__{O}r pump'd for those hard trifles, Anagrams,
__{O}r Ecrosticks, or your finer flames
__{O}f *EGGES* , and Halbards, Cradles, and a Herse,
__[A] paire of Sizers, and *a COMBE in verse* ;
__[A]crosticks, and *TELLESTICKS*, or jumpe names,>> -- B. Jonson
---------------------------------------------------------------
2 *TELLESTICKS* found by Jones Harris & John Rollett:
.........................................................
. The Names of the *26* Principall Actors
. in all these Playes.
.
.[William Shakespeare]
. Richard B(ū)rba(D)ge.
. John Hemmings.
. Augusti(ñ)e Phillip [S].
. William Kemp . . . .[T].
. Thom(ā)s Poop . . . (e).
. George Brya . . . . (N).
. Henry C(O)n[D]el . .[L].
. W(I)l(L)iam S(L) .(Y|E).
.{R}ichard Cowl . . . [Y].
. John Low(I)ne.
. Samuell Crosse.
. A(L|E]xander Co(O)k{E}.
----------------------------------------------------------
*STONE*, n. [OE. ston, *STAN*; akin to Old Saxon *STEN*,
... G. stein, Sw. *STEN*, Gr. a pebble.]
..........................................................
Prob. of 'St(e)nley' or 'St(a)nley' ~ 1 in 2,500,000
.................................................................
Prob. (at least) 6 of the 7[ST(e)NLEY] guys were Lord *STRANGE's*
Men while only (at most) 3 of the other 19 PA's were ~ 1 in 450
----------------------------------------------------------
. Samuel Gilburn{E}.
.[R]obert Armi(N).
. Will(I)am Ostl(E)r.
.(N)athan Field.
.........................
. John Underwoo . . . [D].
.{N}icholas T(O)ole . {Y}.
. William Eccl[E]ston {E}.
. Joseph Taylo . . . .{R}.
. Robert Be[N]fiel . .{D}.
. Robe(R)t Gough . . .{E}.
. Richar{D} Robinso . {N}.
. John Shancke.
. John Rice.
.........................................................
. . . . . . . <= *26* =>
.
. [W i l l i a m S h a k e s p e a r e] R i c .h. a r d B
. (U) r b a(D)g e.J o h n H e m m i n g s.A u .g. u s t i
. (N) e P h i l l i p[S]W i l l i a m K e m p [T] T h o m
. (A) s P o o p(e)G e o r g e B r y a(N)H e n .r. y C o n
. [D] e l l.W i l(L)i a m S l(Y|E|R}i c h a r .d. C o w l
. [Y] J o h n L o w(I)n e.S a m u e l l C r o .s. s e.A l
. [E] x a n d e r C o(O)k{E}S a m u e l G i l .b. u r n E
. [R] o b e r t A r m i(N)W i l l i a m O s t .l. E r N a
. .t. h a n F i e l d.J o h n U n d e r w o o [D] N i c h
. .o. l a s T o o l e{Y}W i l l i a m E c c l [E] s t o n
. .e. J o s e p h T a y l o r.R o b e r t B e [N] f i e l
. .d.
(UNA) 26 : personification of "Truth"
........................
[DYER] 26
[NED] -26
---------------------------------------------------------------
*125* is the gematric number, being the sum of the English
characters for PHILIP SIDNEI = [(15+8+9+11+9+15)+(18+9+4+13+5+9)]
The "intentionally concealed message" in Sonnet 125 is
that Fulke Greville: Recorder of Stratford (1606-1628)
And [NED] [DYER] (b. October 1543 – d. May 1607)
*both* "bore the canopy" {For}[SIDNEI]:
http://tinyurl.com/ptpxsdu
.......................................................
. . . . . ASonnet 125
. WEr't ought to me I "bore the canopy",
. With my extern the outward honoring,
. Or layd great bases {For} eternity,
. Which proues more [S]hort then wast or ruining?
. Haue [I] not seene dwellers on forme an[D] fauor
. Lose all,and more by payi[N]g too much rent
. For compound sw[E]et;Forgoing simple sauor,
. Pitt[I]full thriuors in their gazing spent.
. Noe,let me be obsequious in thy heart,
. And take thou my oblacion,poore but free,
. Which is not mixt with seconds,knows no art,
. But mutuall render onely me for thee.
. Hence,thou subbornd Informer, a trew soule
. When most impeacht,stands least in thy controule.
.......................................................
. . . . . <= *26* =>
.
. {F o r} e t e r n i t y,W h i c h p r o u e s m o r e
. [S] h o r t t h e n w a s t o r r u i n i n g?H a u e
. [I] n o t s e e n e d w e l l e r s o n f o r m e a n
. [D] f a u o r L o s e a l l,a n d m o r e b y p a y i
. [N] g t o o m u c h r e n t F o r c o m p o u n d s w
. [E] e t;F o r g o i n g s i m p l e s a u o r,P i t t
. [I] f u l l t h r i u o r s i n t h e i r g a z i n g
{For}[SIDNEI] *26*
--------------------------------------------------------
. The Original 1590 quarto edition!
...............................................
http://tinyurl.com/pma5gmz
http://tinyurl.com/nsvfzdm
.
The Covntesse of Pembrokes Arcadia,
. written by Sir Philippe [SIDNEI].
.................................................
Shortest {For}[SIDNEI] skip in KJV : 869
Shortest {For}[SIDNEI] skip in Moby Dick : 2818
---------------------------------------------------
. . . . . Sonnet 47
.
. BEtwixt mine eye and heart a league is tooke,
. And each doth good turnes now vnto the other,
. When that mine eye is famisht {For} a looke,
. Or heart in loue with [S]ighes himselfe doth smother;
. W[I]th my loues picture then my eye [D]oth feast,
. And to the painted ba[N]quet bids my heart:
. An other tim[E] mine eye is my hearts guest,
. And [I]n his thoughts of loue doth share a part.
. So either by thy picture or my loue,
. Thy seife away,are present still with me,
. For thou nor farther then my thoughts canst moue,
. And I am still with them,and they with thee.
. Or if they sleepe, thy picture in my sight
. Awakes my heart,to hearts and eyes delight.
.......................................................
. . . . . <= *26* =>
.
. {F o r} a l o o k e,O r h e a r t i n l o u e w i t h
. [S] i g h e s h i m s e l f e d o t h s m o t h e r;W
. [I] t h m y l o u e s p i c t u r e t h e n m y e y e
. [D] o t h f e a s t,A n d t o t h e p a i n t e d b a
. [N] q u e t b i d s m y h e a r t:A n o t h e r t i m
. [E] m i n e e y e i s m y h e a r t s g u e s t,A n d
. [I] n h i s t h o u g h t s
.
{For}[SIDNEI] *26*
.
Prob. of 2{For}[SIDNEI]s same skip ~ 1 in 34,000,000
Prob. of 2nd {For}[SIDNEI]s skip *26* ~ 1 in 150,000
----------------------------------------------------------
. . . . . . . . *26* days
.......................................................
http://en.wikipedia.org/wiki/Philip_Sidney#Injury_and_death
<<[Sir Philip Sidney (30 November 1554 - 17 October 1586)]
joined Sir John Norris in the Battle of Zutphen, fighting for
the Protestant cause against the Spanish. During the battle,
he was shot in the thigh & died of gangrene *26* days later.
According to the story, while lying wounded he gave his water
to another wounded soldier, saying, "Thy necessity is yet
greater than mine". As he lay dying, Sidney composed a song to
be sung by his deathbed. Sidney's body was interred in the Old
St. Paul's Cathedral on 16 February 1587. [Sidney] had become
for many English people the very epitome of a Castiglione
courtier: learned and politic, but at the same time generous,
brave, and impulsive. The funeral procession was one of the
most elaborate ever staged, so much so that his father-in-law,
Francis Walsingham, almost went bankrupt. Never more than a
marginal figure in the politics of his time, he was memorialised
as the flower of English manhood in Edmund Spenser's Astrophel,
one of the greatest English Renaissance elegies. An early
biography of Sidney was written by his friend & schoolfellow,
Fulke Greville: Recorder of Stratford (1606-1628).>>
------------------------------------------------------------
http://spenserians.cath.vt.edu/TextRecord.php?textsid=33437
. The Lord VERULAN, Chancellor of Parnassus.
. Sir [PHILIP SIDNEY], High Constable of Par.
. WILL|IAM) BUDEUS, High Treasurer.
. JOHN [P]ICUS, Earle of Mirandula, [H]igh Chamberlaine.
. JULIUS CESAR SCAL[I]GER
. ERASMUS ROTERODAM.
. JUSTUS [LIPSI]US
.......................................................
. . . . . . . . . . <= *26* =>
.
. T h e L o r d V E R U L A N,C h a n c e l l o r o f
. P a r n a s s u s.S i r[P H I L I P S I|D N E Y]H i
. g h C o n s t a b l e o f P a r.W I L L|I A M)B U D
. E U S,H i g h T r e a s u r e r.J O H N[P]I C U S,E
. a r l e o f M i r a n d u l a,H i g h C[H]a m b e r
. l a i n e.J U L I U S C E S A R S C A L[I]G E R E R
. A S M U S R O T E R O D A M.J U S T U S[L I P S I]U S
.
[I AM|PHIL/IP SI|DNEY] 26 : Prob. skip *26* at top ~ 1 in 6800
---------------------------------------------------------------
, Sage Verulam sublim'd for science great,
, As Chancellour, next him had the first seat:
, And next to him, Budeus did appear,
, Hee of Parnassus was High Treasure{R}:
,[SIDNEY] tooke place upon the other sid{E},
, Who th' office of High Constable suppl{Y'D}:
----------------------------------------------------
.(The Court thus set) the sturdy Keeper then
. Of the unhospitall Trophonian (DEN),
. His trembling Pris'ners brought unto the bar[R]e;
. For sterne aspect, with Mars h[E]e might compare,
. But by his bell[Y], and his [D]oubl(E) chin(N)e,
. He(E) look'[D] like th[E] old Hoste of a New Inne.
. Thus whe[N] sowre Be(N) his f(E)tter'(D) cattell had
. Shut up together in the pinfold sad:
.........................................................
. . . . . . . <= 26 =>
.
. T r o p h .o .n i a n(D E N)H i s t r e m b l i n .g .P
. r i s'n e .r .s b r o u g h t u n t o t h e b a r [R] e;
. F o r s t .e .r n e a s p e c t,w i t h M a r s h [E] e
. m i g h t .c .o m p a r e,B u t b y h i s b e l l [Y],a
. n d h i s [D] o u b l(E)c h i(N|N)e,H e(E)l o o k'[D] l
. i k e t h [E] o l d H o s t e o f a N e w I n n e. T .h
. u s w h e [N] s o w r e B e(N)h i s f(E)t t e r(D) c .a
. t t e l l .h .a d S h u t u p t o g e t h e r i n .t .h
. e p i n f .o .l d s a d:
[DYER] -26
[NED] -26 : Prob. of both skip 26 ~ 1 in 100
.........................................................
. John Taylour, then the Courts shrill Chanticleere,
. Did summon all the Jurours to appeare:
. Hee had the Cryers place: an office fit,
. For him that hath a better voyce, then wit.
. Hee, who was called first in all the List,
. George Withers hight, entitled Satyrist;
. Then Cary, May, and Davenant were call'd forth;
. Renowned {POETS} all, and men of worth,
. If wit may passe for worth. Then Sylvester,
. Sands, Drayton, Beau(M)ont, Fletcher, M(A)ssinger,
.*SHAKE(S)PEARE*, and Heyw(O)od, {POETS} good a(N)d free;
. Dramatick writers all, but the first three:
.....................................................
. . . . <= 13 =>
.
. . B e a u (M) o n t,F l e t
. c h e r,M (A) s s i n g e r
.*S H A K E (S) P E A R E*a n
. d H e y w (O) o d{P O E T S}
. g o o d a (N) d f r e e;D r
. a m a t i. c .k w r i t e r
. s a l l,b. u .t t h e f i r
. s t t h r. e .e:
.
(MASON) 13
---------------------------------------------------
. . Marlowe's 1598 _Hero and Leander_ poem:
. Leander Striv'd, the waves about him woun{D},
. And puld him to the bottome, whe{R}e the ground
. Was strewd with pe{A}rle, and in low corrall groves,
. S{W}eet singing Meremaids, sporte{D} with their loves
. On heapes of h{E}avie gold, and tooke g[R]eat pleasure,
. To spurne in carelesse sort, the shipwracke tr[E]asure.
. For here the stately azure pallace stood,
. Where kingl[Y] Neptune and his traine abode.
. The lustie god imbrast him, cal[D] him love,
. And swore he never should returne to Jove.
. But when h[E] knew it was not Ganimed,
. For under water he was almost dead,
. He heav'd him up, and looking on his face,
. Beat downe the bold waves with his triple mace,
. Which mounted up, intending to have kist him,
. And fell in drops like teares, because they mist him.
. Leander being up, began to swim,
. And looking backe, saw Neptune follow him.
......................................................
______ . . . <= 26 =>
.
. L e a n d e r .S .t r i v'd,t h e w a v e s a b o u t
. h i m w o u n {D} A n d p u l d h i m t o t h e b o t
. t o m e,w h e {R} e t h e g r o u n d W a s s t r e w
. d w i t h p e {A} r l e,a n d i n l o w c o r r a l l
. g r o v e s,S {W} e e t s i n g i n g M e r e m a i d
. s,s p o r t e {D} w i t h t h e i r l o v e s O n h e
. a p e s o f h {E} a v i e g o l d,a n d t o o k e g[R]
. e a t p l e a .s .u r e,T o s p u r n e i n c a r e l
. e s s e s o r .t,.t h e s h i p w r a c k e t r[E]a s
. u r e.F o r h .e .r e t h e s t a t e l y a z u r e p
. a l l a c e s .t .o o d,W h e r e k i n g l[Y]N e p t
. u n e a n d h .i .s t r a i n e a b o d e.T h e l u s
. t i e g o d i .m .b r a s t h i m,c a l[D]h i m l o v
. e,A n d s w o .r .e h e n e v e r s h o u l d r e t u
. r n e t o J o .v .e.B u t w h e n h[E]k n e w i t w a
. s n o t G a n .i .m e d,
{EDWARD} -26
[E.DYER] -50
---------------------------------------------------
. . George Chapman 1598 _Hero and Leander_ poem:
.
. She bowd her selfe so low out of her Towre,
. That wonder twas she fell not ere her howre,
. With searching the lamenting waves for him;
. Like a poore Snayle, her gentle supple lim
. Hung on her Turrets top so most {D}owne {R}ight,
.{A}s she {W}ould {D}ive b{E}neath the darknes quite,
. To finde her Jewell; Jewell, her Leander,
. A name of all ea[R]ths Jewels pleasde not her,
. Lik[E] his deare name: Leander, still m[Y] choice,
. Come nought but my Lean[D]er; O my voice
. Turne to Leander: h[E]nce-forth be all sounds,
. Accents, and phrases that shew all griefes wounds,
. Analisde in Leander. O black change!
.........................................................
______ . . . . . <= 26 =>
.
.{D}o w n e{R}i g h t{A}s .s .h e{W}o u l d{D}i v e b{E}
. n e a t h t h e d a r k .n .e s q u i t e,T o f i n d
. e h e r J e w e l l;J e .w .e l l,h e r L e a n d e r,
. A n a m e o f a l l e a [R] t h s J e w e l s p l e a
. s d e n o t h e r,L i k [E] h i s d e a r e n a m e:L
. e a n d e r,s t i l l m [Y] c h o i c e,C o m e n o u
. g h t b u t m y L e a n [D] e r;O m y v o i c e T u r
. n e t o L e a n d e r:h [E] n c e-f o r t h b e a l l
[E.DYER] -26
{EDWARD} -5
-----------------------------------------------------
https://en.wikipedia.org/wiki/Hero_and_Leander_(poem)
<<In Bartholomew Fair, Ben Jonson lampoons the poem in
the fair's puppet show; his Hellespont is the River Thames,
and his *Leander is a [DYER]'s son* in Puddle-wharf.>>
------------------------------------------------------
http://hollowaypages.com/jonson1692bartholmew.htm
BARTHOLMEW FAIR. A COMEDY.
Acted in the Year 1614. By the LADY ELIZABETH'S Servants.
And then dedicated to KINGJ AMES, of most blessed Memory.
. . By the Author Benjamin Johnson.
. . . . . Act IV. Scene VI.
Trouble-all, Knockhum, Whit, Quarlous, Edgworth, Bristle,
. Waspe, Haggise, Justice, Busy, Pure-*CRAFT*.
Knockhum: Ha! mad Child o' the *PYE*-pouldres, art thou
there? fill us a fresh Kan, Urs, we may drink together.
........................................................
Quarlous: Keep it for your Companions in beastliness, I
am none of 'em, Sir. If I had not already forgiven you
a greater trespass, or thought you yet worth my beating,
I would instruct you{R MANNERS}, to whom you made your
offers. But go your ways, talk not to me, the Hangman
is only fit to discourse with you; the hand of Beadle is
too merciful a punishment for your Trade of life. I am
sorry I employ'd this *FELLOW*; for he thinks me such:
Fascinus quos inquinat, æquat. But, it was for sport. And
would I make it serious, the getting of this License is
nothing to me, without other circumstances concur.
I do think how impertinently I labour, if the word be
not mine, that the ragged Fellow mark'd: And what
advantage I have given [NED Win-wife] in this time now,
of working her, though it be mine.
........................................................
. . . . . Act V. Scene III.
Lan. A better way, Sir, that is too Learned and Poe-
. tical for our Audience, what, do they know what Helle-
. spont is? Guilty of true Loves Blood? or what Abidos is?
. or the other Sestos height?
Cok. Th' art i' the right, I do not know my self.
Lan. No, I have entreated Master Little-wit to take
. a little pains to reduce it to a more familiar
. strain for our people.
Cok. How, I pray thee, good Master Little-wit.
Joh. It pleases him to make a matter of it, Sir.
. But there is no such matter, I assure you: I have only
. made it a little easie, and Modern for the Times, Sir,
. that's all: As for the Hellespont, I imagine our Thames
. here; and then *LEANDER* I make a [DYER]'s Son about
. Puddle-Wharf; and Hero a Wench o' the Bank-side, who
. going over one Morning to Old-Fishstreet, *LEANDER*
. spies her land at Trigs-Stairs, and falls in Love with
. her: Now do I introduce Cupid, having Metamor-
. phos'd himself into a Drawer, and he strikes Hero in
. love with a Pint of Sherry, and other pretty passages
. there are o' the friendship, that will delight you, Sir,
. and please you of Judgment.
Cok. I'll be sworn they shall: I am in Love with
. the Actors already, and I'll be allied to them pre-
. sently. (They respect Gentlemen, these Fellows:)
. Hero shall be my Fairing: But which of my Fairings?
. (Le' me see) i' faith, my Fiddle! and *LEANDER* my
. Fiddle-stick: Then Damon my Drum; and Pythias
. my Pipe, and the Ghost of Dionysius my Hobby-Horse.
. All fitted.
Gra. Faith the same they have of themselves, Sir.
. I cannot greatly complain, if this were all the Plea
. I had against 'em.
Win-w. 'Tis true! but will you please to withdraw with
. us a little, and make them think they have lost you.
. I hope ou{R MANNERS} ha' been such hitherto, and our
. Lan-guage, as will give you no Cause, to doubt your
. self in our Company.
Gra. Sir, I will give my self no cause; I am
. so secure of mine own {MANNERS}, as I suspect not yours.
.....................................................
. . . . . Act V. Scene IV.
Lan. Gentiles, that no longer yonr Expectations may wander,
. Behold our chief Actor, amorous *LEANDER*.
. With a great deal of Cloth, lapp'd about him like a Scarf,
. For he yet serves his Father, a [DYER] at Puddle-Wharf,
. Which place we'll make bold with, to call it our Abidus,
. As the Bank-side is our Sestos; and let it not be deny'd us.
. Now as he is beating, to make the Dye take the fuller,
. Who chances to come by, but Fair Hero, in a Sculler;
. And seeing *LEANDER*'s naked Leg, and goodly Calf,
. Cast at him from the Boat a Sheeps Eye and an half.
. Now she is landed, and the Sculler come back,
. By and by you shall see what *LEANDER* doth lack.
Pup. L. Cole, Cole, Old Cole.
Lan. That is the Sculler's Name, without controle.
Pup. L. Cole, Cole, I say, Cole.
Lan. We do hear you.
Pup. L. Old Cole.
Lan. Old Cole? Is th[E DYER] turn'd Collier? how do you sell?
Pup.L. A Pox o'you{R MANNERS}, kiss my hole here, and smell.
Lan. Kiss your hole and smell? there's {MANNERS} indeed.
...............................................................
. . . . . Act V. Scene VI. {final lines of BF}
.
. Jus. I invite you home with me to my House to
. su{P}-per: I will {H}ave none f{E}ar to go al{O}ng, for
. my i{N}tents are Ad correctionem, non ad destructionem;
. ad ædificandum, non ad diruendum: So lead on.
.
. Cok. Yes, and bring the Actors along,
. we'll ha' the rest o' the Play at home.
-------------------------------------------------
. . . . . . Sonnet 111
. O For my sake doe you with fortune chide,
. The guiltie goddesse of my harmfull deeds,
. That did not better for my life prouide,
. Then publick meanes which publick {MANNERS} breeds.
. Thence *COMES* it that *MY NAME* receiues a brand* ,
. And almost thence my nature is subdu'd
. To what it workes in, like th[E DYER]s hand,
. Pitty me then, and wish I were renu'de,
------------------------------------------------------
. . (Inspiration for _The Winter's Tale_)
Pandosto. The Triumph of Time. (1595)
By Robert {GREENE}, Maister of Artes in Cambridge.
. . . Temporis filia veritas.
......................................................
Meleagrus, I feare this smooth tale hath but small
TRUETH, and that thou coVEREst a foule skin with faire
paintings. No doubt this Ladie by her grace and beautie
is of hier degree more meete for a mightie Prince, than
for a simple knight, and thou like a periured traitor
hath bereft her of her parents, to their present griefe,
and her *INSUING* sorrow. Till therefore I heare more
of her parentage and of thy calling, I wil stay you
both here in Bohemia.
.....................................................
Fawnia hearing this solemne protestation of Dorastus,
could no longer withstand the assault, but yeelded
vp the fort in these fri{E}n{D}l{Y} t{E}a{R}mes.
..................
{E.DYER} 2
..................
Ah Dorastus, I shame to expresse that thou forcest me
with thy sugred speech to confesse: my base birth causeth
the one, and thy high dignities the other. Beggars
thoughts ought not to reach so far as kings, and yet my
desires reach as high as princes. I dare not say Dorastus
I loue thee, because I am a shepherd, but the gods know
I haue honoured Dorastus (pardon if I say amisse) yea and
loued Dorastus with such dutiful aff[E]ction as Fawnia can
performe, o[R] Dorastus d(E)sire: I yeeld, not ov[E]rcome
with (P)rayers, but with lo[V]e, resting D(O)rastus
handmaid r[E]ady to obey (H)is will, if no
preiu[D]ice at all to his honour, nor to my credit.
...........................................................
. . . . . . . <= 26 =>
.
. .D .o r a s t u s w i .t .h s u c h d u t i f u l a f f
. [E] c t i o n a s F a .w .n i a c a n p e r f o r m e,o
. [R] D o r a s t u s d (E) s i r e:I y e e l d,n o t o v
. [E] r c o m e w i t h (P) r a y e r s,b u t w i t h l o
. [V] e,r e s t i n g D (O) r a s t u s h a n d m a i d r
. [E] a d y t o o b e y (H) i s w i l l,i f n o p r e i u
. [D] i c e a t a l l t .o .h i s h o n o u r,
(HOPE).. -26
[DEVERE] -26
Prob. [DEVERE] in paragraph following {EDYER} skip 2 ~ 1 in 2,400
---------------------------------------------------------------------
. . . . Henry IV, Part 2 (Quarto 1, 1600) II,iv
.
Pistol: These be good humors indeede, shal pack-horses, and
. *hol(LOW pAMpER)d iades of Asia which cannot goe but thirtie
. mile a day* , compare with Cæsars and with Canibals, and tro-
. iant Greekes? nay rather damne them with King Cerberus, and
. let the Welkin roare, shall we fall foule for toies?
..........................................................
(LOW pAMpER)
(MARLOWE pp)
----------------------------------------------------------------------
https://en.wikipedia.org/wiki/Tamburlaine
<<Tamburlaine the Great is a play in two parts by Christopher MARLOWE.
It is loosely based on the life of the Central Asian emperor,
Timur (Tamerlane/Timur the Lame, d. 1405).
. In Part 2, Tamburlaine forces the defeated kings to
. pull his chariot to his next battlefield, declaring,
. . . *Holla ye pampered jades of Asia!
. . What, can ye draw but twenty miles a day?*
Upon reaching Babylon, which holds out against him, Tamburlaine displays further acts of extravagant savagery. When the Governor of the city attempts to save his life in return for revealing the city treasury, Tamburlaine has him hung from the city walls and shot. He orders the inhabitants — men, women, and children — bound and thrown into a nearby lake. Lastly, Tamburlaine scornfully burns a copy of the Qur'an and claims to be greater than God. In the final act, he is struck ill but manages to defeat one more foe before he dies. He bids his sons to conquer the remainder of the earth as he departs life.>>
----------------------------------------------------------------------
http://www.montaguemillennium.com/familyresearch/crusaders.htm
<< "... the Knights (of Rhodes/St. John), having lost their
stronghold ... to Timur the Lame ("Tamburlaine",) in 1402,
were establishing a new base at Bodrum, the site of the ancient
Halicarnassus and its famous Mausoleum, stone from which was used
in the construction of the Christian fortress dedicated to St. Peter.
The castle of St. Peter provides a striking witness to English
participation. Over the gateway to one of its towers, known
as the English Tower, *26* coats of arms were set up in stone,
including *NEVILLE*, Percy, Holland, *BEAUCHAMP*, *BURLEIGH*,
*STRANGE*, Arundel, MONTAGUE, *DE VERE* (, and King Henry IV)>>
---------------------------------------------------------
<<[RICHARD d]e BEA[UCHAMP]:
appointed Freemason Grand {MASTER} by Edward IV.>>
- Illustrations of Masonry by William Preston 1795
------------------------------------------------------------------
Art Neuendorffer